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The Virtual
Concert Hall
CONCERT 4
PROGRAMME
(still to be completed)
Wolfgang
Amadeus Mozart: Sonata K. 282
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Mozart’s Sonata K.282 (1774) is a fairly atypical Sonata, beginning by
an Adagio, that however has an absolutely complete and independent,
architecture of Sonata-Form., though very simple, without any introductory
meaning (like the slow prologues of some Symphonies). This beginning is in a
certain sense a reminiscence of some previous baroque forms, which began
normally by slow movements. Therefore the interpretative choice to play
varied agreements in the repeated sections appears particularly appropriate to
this context. The second movement is also tending to baroque, with his
Bachian alternance of Menuet I and II, two pieces with equal hierarchic
position, unlike the dominance of the fully classical Menuets or Scherzos on
their Trios; and actually, the second “enclosed” Menuet presents a dialectic relation between tonic
and dominant even more developed than the first “enclosing” Menuet. Only the
final Allegro has a typical form of the style of the “young” Mozart, a perfect
Sonata-form with simple and short themeatic groups, and very linear
connecting proceedings between a group and another. |
Wolfgang Amadeus Mozart Sonata K. 282 Antonio Tarallo, piano, live
performance |
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